A named film or television credit describes a project and a role; a personal channel describes an ongoing destination. Stuart Laws, Jono Zalay and Liz Miele work across several forms, making that distinction useful when a fan is trying to find a particular production.
Do not assume a credited creator performs on camera in every project or distributes all of it through a personal subscription.
Stuart Laws: identify the production you want
Laws’s own About page describes stand-up, sketch work, filmed specials and production roles across several outlets.
If a named recording brought you to him, begin with that title and its current attributed viewing destination. The biography can establish a credit without settling where the complete work is available now.
His January 2025 interview described recordings and related account material at that time. It is useful historical context, but it cannot supply a current universal distribution list.
Jono Zalay: preserve behind-the-camera roles
Zalay’s website separates stand-up from documentary and television work. It labels story-producing, consulting-producing and staff-writing contributions.
Those labels matter. A viewer searching for Zalay’s stage performance should not be directed to a documentary solely because his name appears in its production credits. Conversely, a viewer interested in the production itself should use its named project information.
A network association is not a promise of access to that network’s catalog.
Liz Miele: animation and a web series are separate works
Miele’s biography identifies the animated series Damaged and the web series Apt C3 alongside stand-up recordings.
That provides concrete project names. It does not establish that all episodes are currently available in one place, or that a special and a web series have the same format.
We did not watch complete series or review the creator’s full filmography.
A project-first search note
Before searching, fill in four fields:
Scroll across the table on smaller screens.
| Field | Example of the question to resolve |
|---|---|
| Title | Which exact production do I want? |
| Role | Performer, writer, producer or another credited contribution? |
| Version | Full work, trailer, excerpt or commentary? |
| Destination | Where does the creator or production currently direct viewers? |
The note prevents a name match from becoming a misleading viewing recommendation. It also avoids conflating a personal channel’s ongoing posts with one finished project.
Sources were inspected on 30 September 2026. We did not verify distribution rights, region availability, paid catalogs or complete playback. The sketch-versus-stand-up comparison explains how different performance forms can coexist within the same public creative identity.